ABOUT TIMOTHY

Visit timothypaulschmalz.com
Timothy in his Toronto
Studio, 1993

Catholic sculptor Timothy Paul Schmalz creates sculptures primarily in bronze.

For more than thirty years, Tim has been “visually translating” sacred scripture and bringing forth spiritual artwork that presents authentic representations.

After dropping out of art college at the age of 19, Schmalz lived in his small studio in Toronto.

“I had no heat in my first old studios, no washrooms, and just a simple board to sleep on. For years I lived like that. It was during this time that I stripped myself of all distractions and material concerns; I did art for art’s sake. And through an amazing journey, I realized that in order to have a great work of art, I needed epic subject matter.”

Tim believes that sculpture is just the skin that covers an idea, a belief, and a truth. As an artist, he is dedicated to making this skin as thin and transparent as possible so the art does not get in the way of what is being expressed.

Most of the work Tim creates comes from personal insight and inspiration. He believes that there are many subjects that have been sculpted that warrant new interpretations or closer examination which enhance the viewer’s understanding of the subject. With his conviction that artwork is the face of faith, Tim’s featured works illustrate that he continues to insist that his sculptures filter out the superficial and express the truth.

“I believe that there are many blind spots in the history of artistic representation in our culture; a lot of subjects that should have been represented in art never have been. I feel devoted to giving form to these many important elements of our spiritual culture”

Timothy often collaborates with religious, public and private individuals to create new and meaningful sculpture. Some of his greatest artistic works have been realized while working with a community that had a specific space or subject matter that required him to apply his artistic insight to a new area.

“Sometimes, being pulled off a comfortable or easy path produces majestic results. I believe there are many exciting future collaborations that will introduce me to new subjects and further develop my understanding of the possibility of sculpture”

Timothy is convinced that every new collaboration comes at the right time – the time when his spiritual readiness as an artist intersects with the spiritual readiness of his partners. At this point, all that is needed is the connection and conversation.

Archbishop Bishop Fisichella, Dennis Salvoie and Timothy
Rome, 2006

Over the past decades, Tim has created some powerful representations of Christianity and some landmark complex public bronze sculptures. Cast editions of his life-size bronze sculptures have been installed in major cities in front of some of the most historically significant Christian sites in the world, including Capernaum, the Vatican and Florence.

In recent years, he has worked directly with the Vatican to create more sculptures that highlight spiritual concerns in our modern day.

The Homeless Jesus, which is one of his most famous works, brings Jesus down off the cross and into a relatable human context that would allow people to feel a greater closeness with Christ.

Homeless Jesus, Santo Domingo Church,  Dominican Republic
Angels Unawares St. Peter’s Square, Rome  2019

The “Angels Unawares” bronze sculpture – the first sculpture to be installed in St. Peter’s Square in centuries – highlights the modern day migrant. As his inspiration for this piece, Timothy used the Bible verse Hebrew 13:2: “Be welcoming to strangers for many have entertained angels unawares”.

This epic 20 foot sculpture shows a crowd of migrants upon a boat headed toward new horizons, and in the center there is an angel, only identifiable by the wings that rise above the sculpture.

After the success of this installation, Timothy was requested to create a new sculpture on the theme of human trafficking. Again creating the title from scripture, this new epic work called ‘Let The Oppressed Go Free” shows almost one hundred victims of human trafficking being freed by the former slave, St. Bakhita.

Let The Oppressed Go Free, 2020
Timothy in Rome

Sculpture has the capability of creating “visual bites” that introduce truths in a universal language.

Sculpture acts for many as a gateway into the viewer’s own self understanding and spirituality. The more powerful the representation of the art, the more powerful the invitation becomes.

To create work that has the strength to both focus and then hold one’s attention, thereby deepening the understanding of the subject being presented…this describes my purpose as a sculptor.

ARTIST STATEMENT

I am devoted to creating meaningful sculpture about meaningful things.

I describe my sculptures as being visual signs. Saint Gregory the Great wrote that “art is for the illiterate”; the use of images was an extremely effective way to educate the general population. Our contemporary culture is in the same state today – not because of illiteracy, but because people are too busy to read.